Writer

Short SoS – Genre

This is not the first time genre has been used as a critical tool for understanding Shakespeare’s process and plays, but Sheldrake – never one to dismiss an idea merely because it has been heard before – draws together some big ideas about comedy and tragedy and shows the way that Shakespeare messes about with them.

Also available on iTunes: http://tinyurl.com/ndhzfxm

Short SoS – Review – The Genius of Shakespeare by Jonathan Bate

In a new Book Review format designed to highlight a few critical classics to add to the shelves, Sheldrake outlines the relative merits of Professor Jonathan Bate’s acclaimed 1997 book The Genius of Shakespeare.

Also available on iTunes: http://tinyurl.com/ndhzfxm

Short SoS – Shakespeare the Magpie

Shakespeare nicked stuff from everywhere; prose narratives, history books, other plays. Sheldrake rattles through a few of the old chestnuts and a few of the lesser-known borrowings, showing Shakespeare as a great adapter of stories.

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Short SoS – Sheldrake on Marston

Testing the patience of listeners once again by talking about someone who isn’t Shakespeare, Sheldrake investigates the peculiar career of John Marston; satirist, dramatist, tragicomedian. He had some great successes, then there was a bit of a lean patch, then he appears to have thrown in the towel. Why? In one word – tragicomedy.

Also available on iTunes: http://tinyurl.com/ndhzfxm

Short SoS – Sheldrake on Marlowe

Sheldrake decides to put his money where his mouth is regarding Shakespeare’s contemporaries. Why should we care about Marlowe, both on his own terms and in relation to Shakespeare?

Also available on iTunes: http://tinyurl.com/ndhzfxm

Julius Caesar and the Soliloquy

The soliloquy is one of Shakespeare’s most recognisable and distinctive theatrical devices. It is in no small part responsible for his fame as a dramatist of human psychology. Was Julius Caesar the gateway in Shakespeare’s soliloquising art between the 1590s and the 1600s? Sheldrake takes a close look at a few speeches from the play.

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Short SoS – Play Dates

How do we know when Shakespeare wrote each of his plays? Well, there are several methods of dating a play. Sheldrake rattles through them, taking in a couple of 1590s Michael Billingtons along the way.

Also available on iTunes: http://tinyurl.com/ndhzfxm