Thanks to a couple of nearby anniversaries, we are hearing more than ever not only what great theatre Shakespeare is, but also what a positive influence he is. By and large, this is true. But the commemorative coin has another side, which is Shakespeare’s repeated mobilisation by fascists, racists and regimes we despise. Firstly, this is a story worth telling. Secondly, what does it mean for the plays today? Ahead of a talk on the subject in Oxford on 11th May, Sheldrake thinks aloud.
Testing the patience of listeners once again by talking about someone who isn’t Shakespeare, Sheldrake investigates the peculiar career of John Marston; satirist, dramatist, tragicomedian. He had some great successes, then there was a bit of a lean patch, then he appears to have thrown in the towel. Why? In one word – tragicomedy.