A few weeks ago I was lucky enough to be leading a seminar at RADA on Measure for Measure. In preparing for that seminar I found myself disagreeing with much of what I said in my own podcast episode on the play. So here I rebut and refute many of my earlier claims. One of the great pleasures of working on Shakespeare is that one’s opinions are seldom allowed to stand still.
Twelfth Night seems to be everyone’s favourite Shakespeare play. Why is this the case? Could it be something to do with the fact that it is a play about playing? This play is a hymn to the pleasure and virtue of playing and play wins over anti-play, though of course the real motto is that it’s the taking part that counts.
The scarcity of scenery on Shakespeare’s stage does not mean that there were no impressive visual effects. One way of awing an audience was with fine costume. As a primer to the full Henry VIII episode next week, Sheldrake describes the impact of costume in two scenes from that play.
As You Like It is liked by audiences, disliked by academics. What then does this tell us about how crucial performance is to the success of the text? Consequently, Sheldrake argues, engaging with the performance of this play and others should be not only a pleasure for the serious Shakespearean, but also a duty.