Twelfth Night seems to be everyone’s favourite Shakespeare play. Why is this the case? Could it be something to do with the fact that it is a play about playing? This play is a hymn to the pleasure and virtue of playing and play wins over anti-play, though of course the real motto is that it’s the taking part that counts.
Attempts to reconstruct the original performance circumstances of Renaissance plays, either literally or imaginatively, have been a constant companion to fascination about the literature. How did these plays actually get put together? What was the process? Would the actors recognise the concept of a rehearsal process? Sheldrake investigates.