A few weeks ago I was lucky enough to be leading a seminar at RADA on Measure for Measure. In preparing for that seminar I found myself disagreeing with much of what I said in my own podcast episode on the play. So here I rebut and refute many of my earlier claims. One of the great pleasures of working on Shakespeare is that one’s opinions are seldom allowed to stand still.
Falstaff will exceed the bounds of whatever box you try to put him in, a truth I found out for myself in the last Short Sheldrake on Shakespeare. I return to complete some unfinished business on this occasion, finishing off some remarks about why Falstaff is so popular in the Henry IV plays and giving some thought to his influence after his off-stage death early in Henry V.
Twelfth Night seems to be everyone’s favourite Shakespeare play. Why is this the case? Could it be something to do with the fact that it is a play about playing? This play is a hymn to the pleasure and virtue of playing and play wins over anti-play, though of course the real motto is that it’s the taking part that counts.